The True History No One Told You About Pune’s Famous "Tilak Smarak Mandir"

:round_pushpin: ABOUT TILAK SMARAK MANDIR

Tilak Smarak Ranga Mandir is an auditorium and exhibition hall located in Pune’s Sadashiv Peth area. The complex includes a theatre, which is dedicated to the Hindu nationalist and social reformer Bal Gangadhar Tilak. It also includes an auditorium featuring a series of murals based on Tilak’s life by the artist Gopal Deuskar.

Today, Tilak Smarak Ranga Mandir hosts various events, exhibitions and performances.
However, this symbolic place dedicated to the ‘father of Indian unrest’ has an unexplored history which deserves a special documentation. Read on!

:round_pushpin: WHAT IS A “GADHI”?

A Gadhi is a small castle-like structure or fort, also known as a big wada.

Gadhi (fort) played an important role in Indian history. In some of the Princely States, during the Raj, the Gadhi were the residences for the local royalty.

Gadhis were used as a focal point for the governance of a region and, as such, were generally in the centre of the region.

:round_pushpin: THE GADHIS OF PUNE

Pune has three Gadhis. The first of these Gadhi is the Kille Hissar. This small fort was built around 1350 AD, the site of which is currently in Kasba Peth — the heart of Pune.

The second Gadhi is Kasbe Pune. After 1500 AD, the entire town was enclosed by a large and robust fortification giving it the appearance of the Bhuikot fort.

The third world-famous Gadhi is the resident of the Peshwas — Shaniwarwada.

Pune’s fourth and smallest Gadhi is the one that hasn’t got its due because it was never given much importance in history. Even in historical documents, you don’t find much mention about it. However, even today, part of this Gadhi stands strong, trying to preserve its great heritage.

In fact, this small Gadhi is still a “living fort” and is the current residence of the illustrious Sadar family.

Truth be told, this Gadhi was actually called “Maharaj Panditanchi Gadhi.” Nonetheless, the owners of this Gadhi thought to change its original name and call it “Tilak Smarak Mandir.”

The Pandit dynasty is one of Maharashtra’s oldest and most popular lineages. Shri Siddeshwar Maharaj was the main head of this family dynasty. The Chhatrapati of Kolhapur had honored him with the title of “Rajguru” (royal priest) and “Pandit” (scholar) to acknowledge his learning. His son was Bhau Maharaj Pandit, who was also a highly respected personality.

So if you see, the area towards Parvati hills was simply vacant with no human settlements. The main Pune’s settlement was just till the present-day Pune Vidyarthi Gruh. Just in front of this educational institution was the temple of Shri Laxmi Narsimha, which was also in the range of Pune during that period. At the same time, the sparse community settled around the temple was called Narsimhapura or Narsipura.

Sweet-smelling plants covered the Gadhi with Rastyanchi Baug and Chiman Baug gardens. There’s yet no evidence about who and when the construction of Maharaj Panditanchi Gadhi took place.

:round_pushpin: ARCHITECTURE OF PANDIT GADHI

Having a sizeable east-facing entrance, the Gadhi has four octagonal towers at four corners with a 15 feet high brick arched construction wall. With this style of architecture, it can be said the Pandit Gadhi was constructed during the Peshwa period.

As per the record, Chhatrapati Shahu Maharaj did not allow the Peshwas to build any Gadhis. Only after his death did Nanasaheb Peshwa do the fortification around Shaniwarwada. Still, it’s difficult to confirm the exact year of establishment of Maharaj Panditanchi Gadhi.

Considering the location and fortification of the Pandit Gadhi, it is amply clear that it was not used for military purposes. After the Peshwa rule ended, all its important buildings and royal powers were taken over by the Britishers, including the Maharaj Pandit Gadhi.

But in 1819, Mr. Elphistone, while considering the other prized properties of Bhau Maharaj, gave him back this Gadhi as a gift.

Later Bhau Maharaj made all the required repairs to the Gadhi and built a beautiful wada here. Its solid fortified walls were noticeable, which enclosed a water pond and fountain.

In the following years, the heir of Bhau Maharaj—Baba Maharaj Pandit, adopted a small boy. As the boy was a minor, his guardianship was given to Lokmanya Tilak. Years after that, this little boy became Jagannath Maharaj Pandit, a very eminent person of Pune.

In 1920, Bal Gangadhar Tilak breathed his last, and Jagannath Maharaj Pandit donated his wada for Tilak’s memorial. Subsequently, he built a new house just next to this Gadhi, and his kinfolks still reside at this place. From then onwards, the “Maharaj Panditanchi Gadhi” became known as “Tilak Smarak Mandir.”

:round_pushpin: JAGANNATH MAHARAJ — THE PHILANTHROPIST

Jagannath Maharaj Pandit was a great believer in philanthropic causes. On the instructions of Lokmanya Bal Gangadhar Tilak, father of Indian unrest against the British colonial rulers, he had given 24.75 acres of land on a lease of 99 years to Shikshan Prasarak Mandali in 1917 without any expectations. It’s implausible that the new generation might know about this piece of history as now they can see a huge Sir Parshurambhau College which was once vacant land.

:round_pushpin: THE AREA OF PANDIT MAHARAJ GADHI GETTING BLURRED

With development, the population of Pune was growing, especially near the Pandit Maharaj Gadhi.

In 1922, the Pune Municipal Corporation constructed a new road from Lakdi Pool to Swargate and named this road “Lokmanya Bal Gangadhar Tilak Road.”

The Panditanchi Gadhi, which stood independently as an iconic structure for many years, became part of the main road due to the construction of this new road. In addition to this, the whole area got busier with the establishment of S P College.

In 1973, the Tilak Smarak Mandir’s theater building was erected where formerly the Gadhi had a memorial of the freedom fighter.

With the audiences visiting this historic place, be it for watching plays, exhibitions, or other events, the once private and protected Gadhi was accessible to the public.

Therefore, the old relics of the Gadhi got a new lease of life with renovation and reconstruction activities. With the nirvana of Bhau Maharaj, his samadhi was built in the backyard of the wada (next to the lotus pond). The Gadhi has a beautiful temple nearby, with idols of Lord Shriram, Goddess Sita Mata, and Lord Shri Laxman.

With all the hustle and bustle surrounding the area of Tilak Smarak Mandir, Bhau Maharaj’s samadhi and the Shri Ram temple are now in a neglected corner. People have also forgotten the interesting and golden period of history associated with Bhau Maharaj with the modernization and glitz of the theater plays.

Yet the humble remnants of Maharaj Panditanchi Gadhi is standing on with a promise to protect its cherished legacy as the custodians of fascinating history.

:round_pushpin: #SanchitaReviews | 2.1/5

:arrow_right: Where | Tilak Smarak Mandir, Lokmanya Bal Gangadhar Tilak Rd, Rukmini Sadan Society, Sadashiv Peth, Pune, Maharashtra 411030

:arrow_right: Parking | Dedicated pay and park service is available at Tilak Smarak Mandir

:arrow_right: Timings | 9:00 am - 7:30 pm

:arrow_right: What Could Be Improved

  1. Better maintenance facilities are required at Tilak Smarak Mandir.
  2. Refurbishment is a dire need at Tilak Smarak Mandir.
  3. The whole of Tilak Smarak Mandir has poor lighting that needs fixing.
  4. Clean, airy galleries, a new souvenir shop, a good canteen and coffee house, and a state-of-the-art sound system must be installed at Tilak Smarak Mandir for a quality experience for its patrons.
  5. Ambient scenting and Air Freshening are strongly recommended as the overall Tilak Smarak Mandir has a foul old stench.

Attribution:

  1. Gadhi Structure (Wikipedia)

  2. Tilak Smarak Ranga Mandir (Sahapedia)

13 Likes

@Sanchita

That is an incredible piece of history that I read in a single breath.

Thank you for sharing this amazing background about a place that is now not even visible to the public.

And as they say - out of sight, out of mind, it is sad to see that people are fast forgetting and neglecting this important phase of Pune.

It is shocking to see that plaque of this important place is encroached by street vendors.

I will definitely pay a visit to this place shortly.

Also tagging @AjitThite and beloved @C_T - prominent local guides from Pune.

2 Likes

Thank you for this post, @Sanchita .

I’m really learning a lot about Tilak Smarak Mandir.

However … A part of this post is using material taken, word by word, from several websites, without mentioning the sources.

You did a great work of assembling, but in Connect it is not permitted to use plagiarized content, especially without mentioning the sources, as you you can read in How do I follow the original content guidelines on Connect?.

It would be great if you can improve this post using your own words, and sharing your experience of the place.

Have you been there? When, what have you seen in there. What was your personal experience?

I would like also to remind you that using plagiarized content in your reviews can end in the removal from the program, so I strongly suggest you to remove that content from your review too.

The same apply to many of your reviews. This is not what we do as a Local Guide. I’m sorry to say this, but I hope my words will help you to correct the mistake, because I know it is not an intentional mistake, and your intentions are good.

But your account is seriously at risk, in this moment

4 Likes

Thanks @ErmesT for pointing out the issue. I have taken some research material for this post from Creative Commons. However, I’ll give the correct attribution as mentioned.

Furthermore, I would like to correct that none of my reviews are plagiarized, they are written from my own experiences. Since you’re suggesting they are, I’d request you can check all my reviews are written in Public Interest Journalism. And as rule of journalism, “common knowledge” is information that is widely known and accepted by the general people. The use of such information without citation does not constitute plagiarism. Also common knowledge can be easily located in a number of sources and usually cannot be disputed.

For example, the Taj Mahal was built by Mughal Emperor Shah Jahan in memory of his wife Mumtaz Mahal is a historical fact that cannot be disputed. Now, even if I use encyclopedia or various trusted history books to show this as a “fact”, a citation would not be necessary. But yes, I get your point that common knowledge definition differs from person to person, so it’s better to attribute.

I do understand your intentions might not be to make accusations, but it’s necessary to fact check.

Thanks again.

Best always,

Sanchita Sairang-Kshatriya

2 Likes

Thanks @TusharSuradkar for your kind appreciation. Yes, indeed the place has such rich history that is not known to the current generation. In fact, even though I have visited Tilak Smarak Mandir on numerous occasions, I had no idea about this place being a beautiful, fortified “Gadhi”. Being a history nerd, I got first hand information related to this iconic site from few of the trustees of Tilak Smarak Mandir.

I completely agree with your observation on how the this place is currently encroached by various street vendors. Also, the various kiosk eateries in the vicinity of Tilak Smarak Mandir have literally made the place quite an unpleasant sight. It’s necessary to follow the guidelines of “Swachh Bharat Abhiyan” and keep such places of historic significance clean and well-maintained.

3 Likes

Hello fellow LG Sanchita Sairang-Kshatriya,

An awesome post!
Well conceived and presented - Congratulations.

A lot of information too.

Thanks for sharing.

Best wishes, @Sanchita

2 Likes

Local Guides is a global community of explorers who write reviews, share photos, answer questions, add or edit places, and check facts on Google Maps. Millions of people rely on contributions like yours to decide where to go and what to do.” (Source: Local Guides help page - Overview)

The above example is not only describing who we (Local Guides) are, but is also what requested by the (already mentioned) post How do I follow the original content guidelines on Connect?If you are sharing words someone else has written, use quotation marks around the statement and link to the source where you found that information

As a Community, we have rules, and we ask the Local Guides who post in Connect to follow the rules of the community. You are welcome to suggest a change of the rules, by writing in Idea Exchange but at the moment you are invited to follow the actual rules. I’m sorry if I appear boring but, as my friend @TraciC told to me once, “I am a person of rules”.

Looks like you missed the screenshot in my previous reply. In there you can see what a user find when searching for the place subject of this post, including the articles that you used for writing this post and your review.

I see from your profile that you are a journalist, and you continuously mention “Right To Information and __Right To Accessibility” (__source Re: Half of My Reviews Are Not Publicly Displayed On Google Maps), but again you seems to miss a point: as a Local guide the focus should be “Review your own experience, and explain what the place was like and the service you received.” (source: Tips for writing great reviews )

Confusing a review with a blog, and using material that is of Public Domain in your reviews can for sure be one of the reason why 56 of your reviews are private in Google Maps. Again, as you see in your review, the Public Domain information are already displayed when I search for a place, so why to repeat it in your review? Try to imagine how maps will be if all Local Guides use the same principle in reviewing a place. It is our own experience what makes the difference, not what we have found in a search in the Internet.

You are a great writer, @Sanchita , now you have to try to “be yourself”, and you will have a brilliant future, not only as a Local Guide, but also as a journalist.

Don’t worry, this is a rule that I try to use for myself too, both when I write a post and when I write a review, as you can see in the 500 + posts that I wrote here in Connect

3 Likes

Wow…don’t thoght of that much in details on Tilak Smarak! @Sanchita thanks for sharing such a very well crafted narrative with us. :pray:

Thanks for tagging @TusharSuradkar ! :+1:

Cheers!

1 Like

Thank you @ErmesT for the detailed explanation and for the rules of Connect.

Frankly, I do not know all the rules but I deeply admire it when you say “I am a person of rules” - I absolutely love that.

That is the reason I follow each and every comment made by you from your comments section to learn about how rules should be interpreted and explained to local guides. Thank you for the enlightenment and for explaining it in layman’s terms.

My 2 cents for @Sanchita in this regard would be to abstain from sharing any ‘factual infirmation’ beyond a certain limit and include more of one’s own experience at a place.

I normally do this by quoting a tour guide when I visit a historical place.

Local Guides Connect - This platform is foremost about sharing experiences - travel, food and drinks, restaurants, cooking, photography, and so on.

For all other ‘data’ - we have the internet :blush:

Looking forward to more such amazing articles, Sanchita…

My best wishes and regards :pray:

2 Likes

@Sanchita

Thanks for sharing beautiful post in detail. I am history student I don’t remember in book also so much information is given. Well explain in detail . I had visited pune several time but not visited at Tilak smarak mandir. Will try next time.